As much as I enjoyed all of the conference sessions that I attended at Sigma Tau Delta, my own was interestingly enough, one that required me to restructure and defend my current ideology. My piece, “The Circles of Transcendence,” attempts to translate into layman’s terms, the famous Ralph Waldo Emerson piece, “Circles,” while also citing inspiring ideologies within the piece that struck a chord with me while composing. However, the rest of my panel took a very different stance on the issue of transcendental thought, choosing to side with Poe and his distaste for the “grandeur” and privileged illusion of the transcendental movement. Before this presentation, I had never once considered the privilege of the ideology that I took hold of so vigorously once reading Emerson’s piece. I had never considered, that as one-panel member articulated, “it takes a certain amount of affordability to be able to just pack up and go live in the woods like Thoreau… it takes connections and affordances that authors like Poe obviously did not share, and this shows in the stark contrast of their ideologies.”
I admit, the panel member was right. There were connections and affordances that made Thoreau’s “Walden” experience reality and catapulted transcendentalist thought into existence. However, I do not believe that this has to be something that divides us from recognizing the bits and pieces of Emersonian philosophy that are applicable beyond the confines of class boundaries. Included, are lessons of personal growth, abandonment, religion, and success that I believe are still worthy of latching onto.
Another point that the opposing members of my panel discussed was the way in which Poe uses “sound and silence” to convey meaning in his work. While I value this argument and agree that the artistic arrangement of sounds and strategic silence is what gives Poe’s work it’s utterly eerie quality, I believe that with closer inspection, the same could be found in Emerson’s piece. While not as literal, Emerson’s piece also has periods of “silence” and periods of “noise” through the use of poetic one line phrases that are sprinkled amidst a highly philosophical and prophesory piece. Although this may not be the literal silence that Poe demonstrates, in the same way, that Poe uses this technique to create meaning, so does Emerson, through vigorous bouts of emotionally charged text.
Nevertheless, the affordance that this conference gave me was the ability to hear and learn from different perspectives, which was a consistent theme throughout most of the sessions that I attended. No matter how similar a topic may be to another, there are always an extraordinary amount of lenses of which to analyze a text or ideology. Sigma Tau Delta 2019 opened my eyes to this fact.